Building cajóns – all of a sudden

factoid

The old-timey title for this post could have been:

The Wisdom and Benefits of Contemplating a Temporary Shift from the Traditional Norm for This Institution in Materials, Methods, Design and Construction of Multi-Purpose Acoustic Percussion Instruments:

Or, a “Box to Bang On”

Because this post is about a kick in the head. A total world-shifting creative non-sequitur from all this demanding, burly, unforgiving metal I’ve been working with for so many years.

All of a sudden I’m building cajóns. Out of wood. Where did *that* come from.

Lemme back up a bit.

I’ve been goofing around with the idea of combining disc gongs with a sound box like the one I built a million years ago for my very first xylophone.
I wanted to explore: disc arrays, resonance, materials, instrument playability.Here’s a sketch: —->

And then it occurred to me that the cajón (a sit-upon box drum with  roots in Peru and on loading docks everywhere) is such a perfect blend of structural integrity and resonance – like musical furniture – that if I could build one strong enough, it could do double duty as both metallophone and drum.

Gee, that sounds like a lot of work.

Maybe just start with building a good cajon to see if it’s easy enough. So, after digesting half a dozen how-to’s on YouTube and stealing some of the most interesting design ideas into my plan, I started my first.

Here’s a ragged build log:


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